Starring: Buster Keaton, Natalie Talmadge, Joe Keaton
Director: Buster Keaton, Jack Blystone
The MacKay family decide to send their young child away to safety after another local family swear to kill every last member of their family. The feud is nursed for years in the Appalachian town, but little Willy Mackay grows into a young man (Buster Keaton) in safety far away. When he inherits his family farm, he heads back to the place he was born to claim it, and falls in love with a beautiful girl on the train. Little does he know she is the daughter of the family that wants him dead.
Buster Keaton films were very popular in their day, and with good reason. He’s a master of physical comedy, satire and practical stunts. I prefer him to Charlie Chaplin, who was a bigger budget star and who had a better business mind, which has meant more of his films were preserved and he went on to be a founding member of United Artists. While Charlie is perhaps more well known now, Buster Keaton films are wonderful and deserve to be rediscovered. And if you’ve never seen a Buster Keaton film, this one is really entertaining.
The comedy of the film is not just in moments of physical humour, which are lovely, but in the satire of manners. His enemies cannot kill him while he’s a guest in their home, since this would be an awful breach of hospitality, so they try to get him to leave, while he finds excuses to stay. It’s a lovely film, full of playful action, humour but is also very smart and insightful. It’s a delightful film that shows Keaton’s ability to create mood and character as well as spectacle. You’ll be rooting for him to get the girl, and laughing at his obliviousness.
See It If: silent films can feel daunting because they’re long and there’s no dialogue, but take a look at this one, it might change your mind about silent films and it’s delightfully funny.
Did you know that it was Harry Houdini that inspired him to change his name to Buster Keaton? He was called “The Great Stone Face” because he found people found him funnier when he didn’t smile. He signed a contract with his production company during his silent times that stated he couldn’t smile in any films he did with them until his contract was up.
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I did hear that about Chaplin, but not about his stone face. What a cool anecdote! Thank you. Are you a Buster fan? I think he’s pretty interesting.
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I love Buster, Charlie and Harold Lloyd and occasionally Laurel and Hardy. Chaplin was told he was too handsome for comedy that’s why he wore his get up.
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Buster Keaton is such a doll! I totally agree, I like him and his movies better than “The Tramp”–probably because of what you said about this movie, he has manners! Plus it seems like things happen to him, instead of him being a pot-stirrer, which I find more endearing.
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One of my favorite Keaton films! It’s indeed a shame not enough people talk about his movies as much as they do about Chaplin’s. (Although I am a huge fan of the latter, as well.)
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They are both amazing and prolific performers. I do love them both. I think I slightly prefer Keaton, in some ways.
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Reblogged this on Movies From The Silent Era and commented:
You can watch this movie on the following link … https://backtothepastweb.wordpress.com/2016/10/12/our-hospitality-1923/
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