Starring: Clint Eastwood, Eli Wallach, Lee Van Cleef
Director: Sergio Leone
That scene where three men face off in a graveyard, each with guns drawn, and close ups on shifting eyes and trigger fingers, which has often been homaged in films since, comes from this iconic Western. It’s the story of three men, in a complicated plot to get to the gold buried in a graveyard. Two team up to beat the third there, but the alliance is very uneasy.
In an era when the Western had become a dull genre, Sergio Leone was making what came to be known as Spaghetti Westerns, so called because they were made in Italy and often were quite bloody. He managed to not onto reinvigorate the genre, but also to hire relative unknown Clint Eastwood, and make him an icon of the Western genre and help launch his career.
The film is shot in Leone’s signature style, where long wide shots that idolise the landscape of the western are juxtaposed with extreme close ups of eyes or little details to increase tension, supported, of course, by the classic score by Ennio Morricone. Interestingly, according to 1001 Movies You Must See, the plot itself is adapted from Kurosawa’s “Yojimbo” which was adapted from Dashiell Hammet’s “Red Harvest”. Beyond the surface of the Western movie styling, you can find the morally ambiguous characterisation and double crosses that were so popular in the kinds of detective stories that Hammet made so well.
It’s a film that’s so well known and so often quoted or parodied that it has become iconic. At times, it feels a bit hammy and over the top on re-watching it, but it’s always entertaining, and the performances of Eastwood, Wallach and Van Cleef are masterful. They work so well against each other, and their path is so twisted, you’re not sure who will end up on top or of any of them will. Watching Westerns that came just before it, you can really see how this one took the format in a new direction, and one that works so well.
See It If: a classic Western that changed the genre forever, this film is iconic and entertaining, and well worth a watch, even if you’re not a lover of the Western.
To me it is a masterpiece, and if I was teaching film somehow, it would be one to dissect and learn from it.
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Ukeleles do Morricone.
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Forgot to add, Eastwood and Yul Brenner were the only two actors who never blinked while shooting pistols/guns.
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Hard to believe Clint was ever that young. Even more unbelievable that not long before this, he’d been told by a studio exec he’d never go anywhere in films.
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My grandma had a bit of a crush on him at one point!
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Love this film. The entire “Man with No Name” trilogy is worth a watch for any fans of Westerns.
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Thank you for your review, it’s always a pleasure to read about this amazing masterpiece!
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Blowing up the bridge – did you notice that hunk of timber that whacks into the sandbag beside Clint?
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Seeing how synonymous this film’s devices have become with the Western genre, it’s easy to forget today how revolutionary it was when it came out. Leone’s whole trilogy couldn’t be released in America until censorship laws loosened up in 1967, then the whole trilogy was released in one year. Great film and, in my opinion, the greatest Western ever made.
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